Harmony in Color Essay Example for Free

harmoniousness in Color EssayColors seen together to produce a pleasing affective response argon said to be in agreement (Burchett 28). Burchett spearheaded an analysis of illusion theory in order to explicate and define the mystery of seeming and what draws manhood to food colouringful paintings, like a butterfly to a pied flower. The systems of colour that need to be rediscovered are found through several touch systems, formulas, and principles forwarded by bright scientists who apply probed into mans tendency to be touched by tint and his appreciation for it. Harmony is crucial in every sphere in this case art and color interpretation. Color concordance is important to industry, art, fashion, natural science, animation, psychology etc. where man and animals project certain reactions toward color. Researchers have come with many a nonher(prenominal) propositions to find out what exactly appeals to the mind, making it receptive to colorize that are in sync.Beauty lies in the eyeball of the beholder. Color interpretation is often individualistic and also conforms according to husbandry. First of all the eyes construct color in light. The spectral balance explains this peculiarity. The lens refracts rays and focuses them on the retina which predicts and enhances the optic image. Electromagnetic waves protagonist to relay divers(prenominal) shades, soaks, and patterns of color. It is the unfortunate lot of a few to be color blind. The determination of culture bears a heavy weight in the color harmony since each culture has a different set of values that govern beauty, synchronization, sentiment, and symbolism.Different colors differ in the quality and intensity of their affective t ace(a) the differences become even more pronounced when people from different cultures are considered (Shachtel 168). Therefore colors project various feelings often standing in association with an already familiar element of nature.The upstart guide to shad es is the color wheel which generates a kaleidoscope of color which gives the color range of color where the tints instill from black, dark color, lighter color, to white hence the segments of color provide primary, secondary, and tertiary levels of color. Nonetheless the major defect has been the failure to deal with the three basic perceptual dimensions to color change, brightness, and volume (Wright 232). These three subdivisions of color catch up with chromatic harmony what it is. Like the refracted rays of light through a prism, looking at light and color unearths several dimensions.Color harmony is not isolated since it can only be appreciated as far as it evokes and transmits certain feelings (called the affective response). For example, warmth and passion are represented by red, common cold equates to blue-grey and bliss is chromatically evinced as a rosy pink etc. Other instances abound from which the creative person can draw such as the earthy brown, the green veget able, the sky-blue, the grey clouds, black night, yellow lie and the list continues. The darkness of the night or the dullness of an overcast sky transfer morbid, melancholy sentiments plot of ground the light of day conveys buoyancy, cheerfulness, and optimism.These affective connections define the chroma in which color may be considered to be the most universal notion, permitting to assume the unity of both a man and an environment (Serov). Consequently mans relation with his environment is conditioned by color which provokes an emotive response from him when observing color or nature.According to Burchett, the eight attributes of color are order, configuration, area, association, similarity, attitude, and sense of smell (Burchett 20). The order of color is crucial to the uniformity, synthesis, juxtaposition, and harmony of color. Also in the naming of colors, blue-green as opposed to green-blue makes a marked difference with gaze to color codification. The Munsell Color Order system dictates that the hue, value, and chroma have to be diagrammed in tandem with particularised shapes (e.g. circle, square) which ushers in a mathematical aspect of color. This rigidified structure places colors on an equal distance from one another, using primary colors such as yellow, purple, blue, red, and green.A colourize tone signifies the depth of the color (which determines whether it is a lighter or darker variation of the same color). There are an infinite range of tone values. One expert on color, Henri Matisse says of tone The relationship of all the tones the result must be a living harmony of all the tones, a harmony not unlike that of a musical radical (Chipp 134). The attitude of a color has to do with personality and what message the color gives or invokes, namely the character distinctions in a loud color versus a faded color.The Coloroid and the Munsell Color systems attempt at harmonizing color by chromatic spectrum, through a carefully structured, grad uated color conversions. The Coloroid Color system, masterminded by professor Antal Nemcsics, provides a structure whereby people can easily identify harmonious color, setting up a chromatic balance and the color ranks. In the Coloroid system, the most important features are the color hue, brightness, and saturation. One of the important principles of the Coloroid system which promotes melodious color is its aesthetically uniform color-space (Neuman). Here, the observer sees the progressive change from one color into another on the spectrum.The fluctuations range from minute gradients fragile enough to be quenched by mawkish illumination to abrupt, linear, and sometimes almost crystalline transitions both of hue, and up to a point of value (Fried). The synchronised transitioning from one hue and another, one tone to another, is the main objective. Just as scales are represented in music in movement from one octave to the next, color must stick to this gradual succession. The Mun sell color system seeks to strikes equilibrium among colors through a lightness-contrast mathematical equation.In this harmony formula, the variables are the euclidian distances or the color intervals where the degree of harmony is a cubic function of the color interval (Chuang). other element of color harmony is the hue military unit. The color harmonies respond in accordance with the lightness/ brightness, saturation contrasts. As a result, we have a chromatic concord through these color and light values. The hue effect or the Abney effect essentially explains the colors alteration under white light. The charitable formula to the hue effect is as followsH=-0.23 0.35 sin (h s (ab) + 0.83) 0.18sin (2h s(ab + 1.55)Chromatic residuum is a product of the equal-chroma and equal-hue effects principles. Through this equation, the color harmony score is calculated by computing the differences between hue and chroma where the smaller the difference between the two reveals the level of chromatic harmony.The Chromatic Difference Equation is as followsH =1.3 0.07 C 0.0005(C)Metaharmony value is acquired by the defined hue effect function at the meta-harmony value. The Meta-harmony equation is as followsM = (LM 2 + TM2)1/2Through this equation, one finds M the metaharmony value is defined by the Euclidean distance on the transformed hue planes. The final harmony value is defined by an H() function at the M metaharmony value. Results have been proven by experimentalobservations, too.In conclusion, the harmony of color is a concept which embraces the hue, saturation, and brightness of color. In addition, the unity of color is promoted by the smooth transition to the next just like the scales in a musical manuscript. The coloroid and the munsell systems help incorporate harmonious chromatic values into the kaleidoscopic spectrum of color. All of these characteristics contribute in making the life experience more enjoyable where the senses are very much attuned to engag e with the world. The colorful, colored world lies open for scrutiny where we as humans of every hue are touched not only through vision, but also through the very innate color coded system wire which connects color to feelings and heart.